Australia Day January 30, 2010
Posted by bohdan.warchomij in : Australian photographers , add a commentAustralia Day (previously known as Anniversary Day, Foundation Day and ANA Day ), and also referred to as Invasion Day by several groups within Australian society, is the official celebration of Australian nationality. Celebrated annually on 26 January, the day ostensibly commemorates the arrival of the First Fleet at Sydney Cove in 1788, the hoisting of the British flag there, and the proclamation of British sovereignty over the eastern seaboard of Australia. It is of course read in different ways by different sections of the community and an increasing sense of national pride has caused conflict and tension amongst Australians and indigenous people and newly arrived migrants.
Victorian youth mental health expert Professor Patrick McGorry
- Professor Patrick McGorry Australian of the Year 2010
has been named Australian of the Year for 2010. Professor McGorry was presented with the award by Prime Minister Kevin Rudd and National Australia Day Council Chairman Adam Gilchrist, on the lawns of Parliament House.
Although it was not known as Australia Day until over a century later, records of celebrations on 26 January date back to 1808, with Governor Lachlan McQuarie having held the first official celebration of the formation of New South Wales in 1818.
Australia Day is seen as controversial by some Australians, who see it as a celebration of the destruction of Indigenous culture by colonialism. There have been significant protests from and on behalf of the Indigenous community, including, since 1988, “Invasion Day” protests. In light of these concerns, proposals to change the date of Australia Day have been made. As the date also marks the anniversary of the Rum Rebellion in 1808, Australia Day may be viewed as a commemoration of the only military coup in Australian history.
- The DAMN’s at Perth Fireworks celebrate Australia Day 2010 Photo Bohdan Warchomij
Magnum Workshop Foto Freo January 28, 2010
Posted by bohdan.warchomij in : Foto Freo, Magnum, Workshops , add a commentMagnum Workshop Fremantle
The Magnum Workshop Fremantle is a five day intensive, practice oriented workshop that seeks to provide personal photographic growth in an intimate but intensive environment. The Workshops will be led by three experienced Magnum photographers; Trent Parke, David Alan Harvey and Chien-Chi Chang, each with a distinctive visual style and approach to photography. Successful candidates will have the opportunity to shoot, polish and publish their work under the guidance of these experienced photographers and to build a new body of work under the direction of knowledgeable practitioners.
- Photo Copyright Trent Parke MAGNUM
The Magnum Workshop Fremantle is a headlining event of FotoFreo 2010: The City of Fremantle Festival of Photography, Australia’s leading biennial photography festival. Established since 2002, FotoFreo is a month long celebration of photography showcasing the work of internationally renowned and emerging photographers, generating awareness, inciting discussion and creating a forum for the exploration of ideas and issues relating to the practice and art of photography.
The workshops will be held at the Fremantle Arts Centre, a vibrant organisation in the centre of Fremantle which runs exhibitions, workshops, residencies and events. It is housed in an attractive heritage building with extensive gardens and is the perfect venue for workshops.
The Workshop
Aimed at photographers with a good understanding of photographic practices, the event will lead 3 intimate groups of twelve individuals through an intensive 5 day program of shooting, daily reviews, group critiques, mentoring, editing sessions and the opportunity to learn amongst peers. Successful candidates will spend the five days alongside one selected photographer to develop visual language, photographic identity, practical, technical and conceptual skills and the expertise required to compete in a changing marketplace.
All 3 individual workshops will be held in English and each class will be assigned a teacher’s assistant who will aid both instructors and students with technical or logistical questions and to help orientate students with story ideas. Participants will be directed to document local interest stories about Perth and the surrounding area and apply this to their individual photographic style. Candidates will also be actively encouraged to engage in and attend the diverse schedule of the FotoFreo festival events (20 March – 18 April). Forming part of FotoFreo’s extensive programming, each Magnum photographer will present their work through audiovisual showings at the Notre Dame Theatrette.
The workshop will culminate in a public projection of the candidate’s work (which will form part of the official festival programming) at the Fremantle Arts Centre and the production of group books, generously provided by creative publishing platform, Blurb books.
Requirements
Participant photographers will be selected on the strength of portfolios submitted online. These portfolios should consist of 10 images and reflect the photographic interests and style of the applicant. Ideally a portfolio should include a project shot over a period of time and be edited in the form of a photo essay. A good level of photographic aptitude will be essential criteria for participation and candidates should arrive comfortable with their equipment and ready to photograph.
Selected participants should ideally arrive with at least one project idea they wish to develop during the workshop. We recommend that research be conducted before the workshop begins. This should include contact liaison, access information and even preliminary shooting. Project ideas will be discussed at the beginning of the week, and participants will be responsible for their own project coordination. All projects must be conducted within Fremantle and the surrounding area.
Due to the fast pace of the workshop, Magnum highly recommends that participants produce and edit their work digitally, using their own laptops. Individuals wishing to use film may do so, but at their own cost and during the time imposed. The workshop will recommend a lab service where possible.
Please note: Magnum Photos reserves the right to cancel or replace Magnum photographers on any workshops with less than 8 participants. Students who are accepted on a cancelled workshop will be given a either a full refund or a place with another photographer. In the event of a cancellation, students will be given at least 2 weeks advance notice.
Tuition
£800 plus VAT (does not include travel, accommodations or on the ground expenses)
All applicants must submit a £65 application fee, which will be applied to your tuition if you are accepted into the workshop. This fee will be fully refunded, minus a 5% service fee, if you are NOT accepted into the workshop.
Applications without a fee will not be processed.
Travel & Accommodation
Participants are expected to make their own arrangements regarding travel and accommodation; a list of suitable accommodation options will be provided to candidates upon notification of entry. National and international participants should make their way to Perth (airport code PER). Please ensure you have the necessary travel documents in order to attend the event. Magnum Photos and FotoFreo can provide letters of support where necessary.
Scholarships
Thanks to the generosity of scholarship funding from FotoFreo 2010 supported by the Department of Culture and the Arts, three Western Australian photographers will be given the opportunity to participate in the Magnum Workshop Fremantle for free. These placements will be allocated on the basis of technical merit, the ability to construct a narrative using images and the perceived benefit to the applicant’s career.
Please click here to apply for the scholarship placements. The scholarship application deadline is Friday 29th January at 6.00pm GMT.
Please note: If your participation is reliant on winning a scholarship place please DO NOT apply via the general application channel. If you are interested in attending the workshop regardless of scholarship allocation, please ALSO complete the general application form below.
For any questions regarding the scholarships please contact Amelia Twiss on atwiss@FotoFreo.com
Applications
Click here to sign-up until Friday 28th February at 6.00pm GMT.
Successful applicants will be informed via email by Tuesday 2nd March. Full payment should be received by Tuesday 9th March to fully confirm your participation.
For queries please contact Fiona Rogers fionar@magnumphotos.co.uk
Justin Spiers January 28, 2010
Posted by bohdan.warchomij in : Art, Australian photographers, Fremantle Arts Centre, exhibition , add a commentJUSTIN SPIERS:
The Detour
30 January – 14 March 2010
Fremantle Arts Centre
Everybody loves a fun park – even a derelict one. In his first solo exhibition, Justin Spiers produces a record of what remained after the crowds dissipated.
The Detour was shot on location at the Castle Fun Park on the outskirts of
Mandurah. A collection of images on medium format film, Spiers presents a record of the Park’s demise into its current state of disuse.
Where once stood a fantastic Disney neighborhood, Spiers captures the disquietbetween the dizzying structures and their bush setting, suddenly realized once left A meting pot of Bavarian castles and tudor villages, these European architectural styles appear alien on the harsh Australian landscape. In reality, though, Spiers’ uneasy imagery documents the all-too-familiar marks of bushfire on the fantastic.
At once seductive and repellant, Spiers’ photographs create a somewhat tragic montage of the Park’s history – in which the unnatural collision of castle and country has occured, and has been left behind with consequences of bushfires and encroaching suburbia emblazoned on its eerie horizon.
Justin Spiers is a Western Australian photographer currently based at Red Gate Gallery in Beijing, China. He has participated in numerous exhibitions Australia-wide, and has previously endeared himself to pets and their owners as co-presenter of Pet Photo Booth.
Image Caption: Justin Spiers, All the loud colours of the world, 2007, giclee print on Hahnemuhle paper, 60 x 60 cm, courtesy and © the artist.
- Acid Mandurah Photo Justin Spiers
Guy Benfield: Expanded Ceramithéque Drug Time Present
Sohan Ariel Hayes and Laetetia Wilson: Datadrum v.2.04 Imagining the Sixth Dimensional City
Free admission, open 7 days: 10am-5pm
John Pilger January 19, 2010
Posted by bohdan.warchomij in : Australian photographers, Education, John Pilger, New Media, Photojournalism, Publishing , add a commentTHE MEDIA AND PROPAGANDA
Nigel Dolan from UWA Extension Service was instrumental in attracting John Pilger, Journalist, Author and Film-maker to a lecture at the Social Sciences Theatre University of West Australia on the 12th January 2010 to talk and answer questions on the subject of “The Media and Propaganda”. Interestingly main stream media were conspicuous by their absence. John Pilger, who was the winner of the Sydney Peace Prize in 2009 answered questions from the floor. The theatre was packed.
‘It is not enough for journalists to see themselves as mere
messengers without understanding the hidden agendas of the
message and myths that surround it’ – John Pilger. In this question
and answer session John examined the role and power of the
media and its responsibilities in a world of seemingly endless crises,
growing instability and inequality.
- John Pilger Photograph Bohdan Warchomij
John Pilger, renowned investigative journalist and documentary film-maker, is one of only two journalists to have twice won British journalism’s top award; his documentaries have won academy awards in both the UK and the US. In a New Statesman survey of the 50 heroes of our time, Pilger came fourth behind Aung San Suu Kyi and Nelson Mandela. “John Pilger,” wrote Harold Pinter, “unearths, with steely attention facts, the filthy truth. I salute him.”
Australian Aid Organisations working in Haiti January 17, 2010
Posted by bohdan.warchomij in : Aftermath, Aid, Haiti, Relief , add a commentThe earthquake that devastated Port-au-Prince has had the world scrambling to deliver aid to the Western World’s poorest country. Logistically it is an overwhelming task. The harbour is damaged and there are difficulties offloading ship supplies. Toussaint Louverture International Airport is running out of fuel and only one runway is operational. Some relief workers and medical crews are coming in via the Dominican Republic.
(Haiti and the Dominican Republic share the island of Hispaniola, which lies between Cuba and Puerto Rico.)
- Carolyn Cole LA Times
The following aid agencies are working in the devastated country: The list, by no means exclusive, gives a guide to the established agencies working on the ground in Haiti. Please use personal discretion if donating to the appeals listed.
Medecins Sans Frontieres suffered damage to some of its own buildings in the earthquake, including its main hospital facility and a maternity facility. It is running makeshift medical centres in tents around the capital while it attempts to locate some of its staff missing since the disaster.
You can donate to MSF’s effort in Haiti through its Australian office’s website or by phoning 1300 13 60 61.
Save the Children has estimated that many children have been orphaned and have been made homeless.
The charity has said cash donations are what is most needed at the moment.
You can donate to Save the Children’s Haiti Earthquake Emergency Appeal at this link. Donations can also be made at NAB branches or by phoning 1800 76 00 11.
Australian Red Cross has launched an appeal. The charity says the money raised will be directed to the relief and recovery efforts in the devastated capital and other areas. Specialist aid workers will also be sent there.
You can donate to the Australian Red Cross Haiti Earthquake Appeal online or by phoning 1800 811 700.
World Vision provides temporary shelters, hygiene kits, cooking utensils, clothing and water containers and medical teams to deal with earthquake victims. To donate visit www.worldvision.com.au or call 13 32 40.
Oxfam has 100 staff on the ground in the quake zone, providing water and shelter supplies. “Any country would have difficulty withstanding this disaster, let alone one with deep poverty and minimal infrastructure,” the charity has said.
You can donate to Oxfam’s Haiti Earthquake Appeal online or by phone at 1800 034 034.
CARE Australia has said the biggest challenge facing aid groups on the ground is reaching all those who need their help. CARE’s staff have been handing out food and other supplies.
The agency has said a donation of just $50 can provide water sanitation kits to homeless families. You can donate to CARE’s Haiti Earthquake Appeal online or at 1800 020 046.
The Australian Government has committed $10 million in emergency aid to the Haiti relief effort. The Department of Foreign Affairs’ 24-hour consular emergency centre can be reached on 1300 555 135.
The United Nations Central Emergency Response Fund has allocated $10 million in relief aid. Individuals and businesses can donate to the CERF at that link. Donations can also be sent to UNICEF’s Haiti Emergency Appeal.
Photojournalist Students to Bangladesh January 17, 2010
Posted by bohdan.warchomij in : Australian photographers, Bangladesh, Edith Cowan University, Education, Photo Media, Photography Festivals, Photojournalism , add a commentBangladesh photography has been in the news recently. The growth of Chobi Mela, a festival of photography in Asia, images of work from Bangladeshi photographers in Andy Levin’s 100 Eyes Magazine, the winning portfolio Living Stone by Bangladeshi photographer Khaled Hasan that was announced as the Centre For Documentary Photography Award Winner have opened up our eyes to the talent and potential within Bangladesh.
The growing connection between the Edith Cowan University Photomedia Faculty and Pathshala, the South East Institute of Photography is an important link between Austalian and Bangladeshi tertiary institutions and exemplifies the growth of photography in both countries.
Following the success of the initial first link project between the Edith Cowan University Photomedia Faculty and the Pathshala: South East Asian Institute of Photography for the 2008 Summer School, this year, fourteen top ranking ECU Photomedia students are going to Dhaka in Bangladesh from 7 January to 8 February. The ECU students will attend classes and conduct in-field work in collaboration with Pathshala students. New York based Picture Editor Tina Ahrens will supervise the first week of learning before students are sent out to cover their individual projects. The project culminates with an exhibition at the Drik Gallery in Dhaka and there will be another in Perth in April at Spectrum Gallery. At this stage it looks that the focus topic will be the rivers of Bangladesh.
- Lecturers Duncan Barnes and Norm Leslie with students heading to Daka, Bangladesh
Tina Ahrens
Born in Germany. Studied film and photography at London Guildhall University in London, UK. Organised “snap ’n roll” photo exhibition in Cape Town, South Africa, and curated parts of the “Portrait Africa” exhibition at Haus der Kulturen, Berlin, Germany. Worked as a photo editor for GEO magazine in Hamburg since 2000. Travelled extensively in Asia and parts of Africa. She now lives in NYC, working as a photo editor at GEO’s New York office. She is a member of the photography board of the National Geographic AllRoads program.
Was guest photo editor for the new issue of OJO DE PEZ #8 “The fall of nature” (published in October 2006).
www.ojodepez.org
Haiti January 11, 2010
Posted by bohdan.warchomij in : Documentary, Haiti, Photojournalism , add a commentJessica Phelps is a young photographer from Ohio currently working in a community center in one of the poorest neighborhoods in Santiago, Chile. She received her BFA in Media Studies from the Columbus College of ARt and Design before heading out on a mission that was more than simply traveling the world. She is committed, has a mission and wants to give back to the communities who take her in and share their stories with her.
In her own words, she “wanted to give back to the communities I visited, and subsequently tell their stories to those who otherwise would not have heard it”. In this manner, people from around the world could truly understand our innate connection to one another, and (realise) that despite our differences, we all desire the same basic things from life. My personal mission is a small step, but I believe that in our age of dividing war and hate, we have a great opportunity to stand peacefully together on common ground.” She is to be commended and admired.
- Car Parts for Sale Photo Copyright Jessica Phelps
Jessica Phelps received her BFA in photography from the Columbus College of Art and Design. After Graduation her travels took her to a remote town in the Italian Alps where she worked as a goat herder. From there she went to Milan for one year, doing a variety of jobs from teaching English, to gardening and house painting. After traveling through Europe some more she moved back to the US, and settled in San Diego CA for a few months. Jessica continues to travel and document the places she visits including Haiti in January.
- Fountain in Carfour Copyright Photo Jessica Phelps
R E F L E C T I V E J U D G E M E N T
Flying over Haiti, I saw mountains but all was brown. The land had been stripped bare as deforestation has swept across this country. Coming in lower I saw houses, cinder block squares really. Many of them missing floors and roofs with partially completed walls. Closer still and I could see people working in the fields, people walking along the streets in colorful clothing often carrying loads on their heads. Posture perfect, slow paced and in no hurry, it seems time was not what enslaved these people. Now over Cite Soleil, considered the worst slum in the world, the poverty is apparent even from above. The long descent lends the ability to take in the whole scope of the shanty housing and the random fires burning. I watched as the smoke disappeared into the evening sky.
It’s dark by the time we disembark the plane and begin driving through Port Au Prince and on into Petionville. The streets are jammed with cars, their fumes clogging the air we breathe. The jumbled sound of Haiti is energetic, vibrant, colorful and full of movement. But the landscape could not be more different. Roads in Haiti are often flooded and if they happen to be paved, they are so full of potholes it makes driving impatiently slow, tedious. Driving out of the city is a depressing sight. Garbage is piled high on the sidewalks and even in the nearby canals. It is common to see people scavenging amongst the refuse alongside goats, pigs and chickens. The animals eat the trash and soon after the people eat the animals. Our pick-up truck kicks up some dust as I am casually informed that mixed in with the garbage are discarded body parts, rotting, waiting to be burned.
In Haiti there is a hierarchy to the poverty. This is most commonly deciphered by taking notice of the footwear. Shoes with laces or straps are at the higher end of this hierarchy. Moving down the line are flip flops, and finally the poorest having no shoes what-so-ever, instead running barefoot through the city streets.
Experiencing Haiti requires use of all the senses. Amid the unceasing sound of cars and honking horns is a Creole spoken with more fervor than any Italian I can remember. Roosters crow incessantly, from dusk to dawn. The smell of exhaust fumes and burning plastic barrage your nostrils. The feel of the sun envelops you, while the dust and grime permeates your skin and hair. The grime is there to be tasted, always hanging heavy in the air. It is swallowed. It sticks in your teeth. And you find yourself overwhelmed just at the sight of it all.
The bright colors of houses set against the dust and piles of garbage seem to accentuate the energy of a people who laugh so as not to cry. There is a dignity with which they carry themselves through every day. As you stand reflected in the gaze of the Haitian People, there is judgment void of condemnation. Here an unspoken knowledge exists. Even children reek of wisdom beyond their years and seem to mirror and match any present preconceptions.
Jessica Phelps
- The Pharmacy Photo Copyright Jessica Phelps
Jessica Phelps
Emerging CDP Photographer Award January 9, 2010
Posted by bohdan.warchomij in : Bangladesh, Documentary, Griffith University, Photojournalism, Publishing, The Cenre for Documentary Practice , add a comment
- Living Stone Photo Khaled Hasan
Sea Shepherd January 8, 2010
Posted by bohdan.warchomij in : Documentary, Photojournalism, Sea Shepherd , 1 comment so far
- Photo copyright Joanne McArthur
Joanne McArthur has contributed to Metaphor Online before and has just released details of her confidential mission aboard the Sea Shepherd’s M/Y Bob Barker. The sinking of the Ady Gil has made the international news and Joanne’s photographs have made it to The Australian newspaper and the Sydney Morning Herald among others worldwide. Her committment to the whaling cause has changed the political balance in this issue through images issued to the world’s media via the Sea Shepherd organisation.
Joanne McArthur reports from her website:
“I’m presently working as crew photographer for Sea Shepherd’s 2009-10 Antarctic Mission. We’re down here putting in herculian efforts to stop the Japanese whaling fleet from slaughtering over 900 minke whales in an area that was defined a sanctuary by the Internation Whaling Commission 2 decades ago.
Keep up to date on our progress: www.seashepherd.org / www.weanimals.org/blog.php
I’ve had to keep everything confidential until now because I’ve been on Sea Shepherd’s secret vessel, the M/Y Bob Barker, which is a 50-yr old Norwegian whaling ship of all things. It was purchased in Africa and refitted by SS volunteers, which was our port for over a month while the boat was fixed up and brought back to life. Yep, Bob Barker bought Sea Shepherd a ship!
The regular SS ship, the Steve Irwin, departed from Australia as usual for the Antarctic campaign to stop the Japanese whaling fleet. After years of being harassed by SS, they decided to ramp up their security etc. The Irwin left Australia with a tail, one of the Japanese ships. The fleet also added two “security” ships to their fleet, whose goal is to shut us down, basically, and keep an eye on us so that the Irwin’s coordinates could be sent back to the factory ship, the Nisshin Maru, and they could continue to evade the Irwin.
SS added the Ady Gil to their campaign this year (the “Earthrace”, a small sexy boat, named after Ady Gil who donated it to SS) and made a big media stink about it.
The Bob Barker left Mauritius on December 17th, still undetected and a surprise for the Japanese whalers.
Finally in Antarctic territory, the Irwin got a call from, of all things, a cruise ship, which had sighted the fleet. The expedition leader is apparently a fan of SS and knew the Irwin and the Ady Gil were searching for the whaling fleet. The coordinates of the Nisshin Maru were then sent to us, and of we went to find ‘em.
Find ‘em we did, and we’ve been in a bit of a battle ever since. Our cover was finally exposed so we’re only now able to write about it, and it’s all over the media: SS’ third vessel.
The Nisshin caught on quickly that we were an SS ship, and sent their harpoon and security ships to tail us. By this morning (2am), we were surrounded by 4 harpoon ships that would take turns maneuvering closely around us and forcing us to reduce speed while the Nisshin Maru moved away. They sped towards bad weather, which slowed us considerably. We deployed one of our small boats and roughed it in horrible weather before turning back to the Barker. All this before 9am!
Things were looking hairy, but the Ady Gil appeared and buzzed around the Nisshin like an annoying bug, delaying their progress north and throwing stinky and organic cocktails which would possibly taint the meat on board… This was all within sight and we were thrilled to have company on our mission, finally! After a few hrs the Ady Gil came by our boat to say goodbye. The 6 crewmembers were all on deck, waving, and we all hooted and cheered at each other. Within moments, a harpoon ship changed course and went straight for the Ady Gil, turning on their water cannons, using LRADs (long range acoustic devices) and charging the boat before they could move out of the way. Incredibly, they actually rammed the Ady Gil, which ripped off the entire bow of the boat.
We called an immediate Mayday. The Ady Gil continued to float, and we were able to deploy our small boats and go to their rescue. Had they been rammed a few meters towards the center of the boat, the 6 crewmembers would have perished (from being crushed, or from hypothermia).
The day has been a long one of rescues, media, and a billion things. We’ve been picking up the scraps of the Ady Gil all day, and we’re now towing its remnants while we decide next steps.
We are hoping that the ship that rammed us will be brought up charges for attempted murder. All remains to be seen.
“Sea Shepherd” is one of the top 30 Google searches around the world right now. We’re doing tons of interviews.
Perhaps the Ady Gil was our sacrificial lamb, and this will bring huge exposure to the whaling issue, and to the whaler’s behavior. Perhaps this will help finally end illegal whaling in the Antarctic.
Today…. It’s really incredible that no one was killed.
We have the 6 crewmembers on board the Bob Barker now, who’ll remain with us for the duration of our campaign as we continue to follow the Nisshin Maru. We target that ship specifically because that’s where they process the whales. If we disable or at least block that ship, we stop the whaling.
I shot the entire day in detail, including the ramming of the Ady Gil. SS is in the process of sending these pics worldwide. I’ll post some soon as well. Keep watch at www.seashepherd.org and in this week’s news.”
Joanne McArthur
Perth New Year’s Eve January 3, 2010
Posted by bohdan.warchomij in : Australian photographers, Metaphor , 1 comment so far
- Ska dancer New Year’s Eve Northbridge Photo Bohdan Warchomij
- Jon Madd Ska dancer Northbridge, Perth Photo Bohdan Warchomij
It was a week of tragedy and firestorms and loss for the people of Toodyay, a country town an hours drive from Perth and a New Year’s Eve of music, energy and violence in the city as revellers saw in 2010. Metaphor Online wishes the world peace for 2010. The photos that sum up the revelry and tragedy approaching New Year’s Eve were taken by Darren Smith and Bohdan Warchomij in Perth and Toodyay.
- Northbridge, Perth Arrest 4am Photo Bohdan Warchomij
- Clean Up New Year’s Day Photo Bohdan Warchomij
- 4 am arrest Northbridge, Perth Photo Bohdan Warchomij
- Ray and Rose Barwell property Toodyay Photo Bohdan Warchomij
- Frank Korzeniewski with a burnt out Olympus camera Toodyay Photo Bohdan Warchomij
- David Perrie at his property in Majestic Heights Toodyay Photo Bohdan Warchomij
- Ray and Rose Barwell at their burnt out property in Toodyay Photo Bohdan Warchomij
- ‘The Origin’ concert Steel Blue Oval in Bassendean NYE Photo Darren Smith
- ‘The Origin’ concert Steel Blue Oval in Bassendean NYE Photo Darren Smith
- Fireworks at ‘The Origin’ concert Steel Blue Oval in Bassendean NYE Photo Darren Smith
