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Tokyo Symphony August 23, 2010

Posted by bohdan.warchomij in : New Media, Photojournalism, Publications, Publishing , add a comment
The exploration of issues of publication for photojournalists continues to be tackled in innovative ways. Paradox in the Netherlands is working on telling photographer stories in an innovative way. Ed van der Elsken’s Magnus Opus of his work in Japan is available on the Paradox website. Kadir van Lohuizen also is working on his story on American Migration called Via Pan Am with Paradox. It is in the pipeline.
PARADOX creates projects in photography, video and media related arts. The interaction between social, economic and technological change is central to most thematic and
monographic projects developed. PARADOX’ activities include travelling exhibitions, film production, book and electronic publishing and organising workshops and symposiums.
http://www.paradox.nl/paradox/cms/cms_module/index.php?obj_id=950
Photo Ed van der Elsken

Photo Ed van der Elsken

In the last years of his life Ed van der Elsken worked on what should have been his audiovisual magnum opus: Tokyo Symphony. The installation was meant to be his homage to Japan – a land that had embraced him personally as well as as a photographer and author.
The installation was never finished due to his early death at age 60. It was thought that the collection of 1,600 images, which is currently stored at the Nederlands Fotomuseum in Rotterdam, was all that remained of this ambitious project. In 2007, researcher Frank Ortmanns discovered five audiotapes belonging to the project. Fascinated by this missing piece of the puzzle, Ortmanns approached Paradox to discuss the possibility of posthumously realizing Tokyo Symphony. Taking into account Van der Elsken’s fascination with AV technology, it was concluded that a contemporary approach to this installation would be most appropriate. In other words: to make an installation as if Van der Elsken were still alive.

The immersive installation based on hundreds of unknown colour slides confronts the viewer with various traditional as well as contemporary and little known aspects of Tokyo: from demonstrations in Shibuya to weddings and memorial celebrations, from girls wrestling and karaoke in Harajuku to the Tsukiji fish market. Van der Elsken switches constantly from intimate portraits to lively street scenes. The spatial multi-screen design of the installation, which is accompanied by a soundtrack based on his original recordings, adds to the dynamic experience of the strange mixture of tradition and modernity that characterises the metropolis of Tokyo. Through the harmonic as well as disharmonic interplay of various audiovisual elements, the installation can be seen as a true modern symphony about urbanism and eastern culture – a symphony that reflects the notion of the all absorbing and omnipresent urban environment.

Ed van der Elsken

Ed van der Elsken´s photographs are represented worldwide in the collections of several renowned institutions including the Stedelijk Museum (Amsterdam), the Chicago Art Institute, the Kawasaki Modern Art Museum, the Special Collections Department of the University Leiden and the Museum of Modern Art (New York).
Even before his 1956 breakthrough with Love on the Left Bank, Van der Elsken attracted attention in international exhibitions such as Edward Steichen’s The Family of Man (1955). Further important exhibitions followed, such as Sweet Life (Amsterdam, 1968), Masters of European Photography (London, 1973), Van der Elsken´s Amsterdam (Amsterdam, 1979), L´Amour à Saint Germain des Prés (Tokyo, 1986) and De ontdekking van Japan 1961-1988 (Amsterdam, 1988/1989). Also posthumously: Once Upon a Time (Amsterdam /Tokyo, 1991), Long Live Me! (Paris /Amsterdam /Porto /Modena /Antwerp, 1996 – 2006), and Documenta X (Kassel, 1997). His most influential photo books include Een liefdesgeschiedenis in Saint Germain des Prés(1956), Bagara (1958), Jazz (1958), Sweet Life (1966), Amsterdam! (1979), De ontdekking van Japan (1988) and Once Upon a Time (1991).

500 Photographers August 5, 2010

Posted by bohdan.warchomij in : Art, Australian photographers, New Media , add a comment

Well worth a look at. For creatives, for people interested in photography and for professionals. Interestingly, the list so far numbers 89 photographers and number 87  is  Jane Burton, a fine art photographer from Melbourne I met a couple of trips ago.

Jane Burton, 1966, is an Australian photographer. She has been in various exhibitions (group and solo) and her work is held in numerous private and public collections. Her photographs are dark, mysterious and often poetic. She often combines images of landscapes together with portraits. The following images come from the series Velvet Portrait Suite, Ivy and Wormwood.

Her website: www.janeburton.com.au

“500 photographers is a weblog that posts 5 active photographers a week for 100 weeks. The photographers can be from any discipline within the photographic range, but they have to be worth looking at and have a certain level of quality. When we get to number 500, we will have a deep database of great photographers.”

Peter Wisse

It is certainly interesting looking down the list. Philip Toledano, who has been written about in this blog, gets an early mention. It is worth savouring this list in a slow and deliberate manner.

500 photographers is done by Pieter Wisse, a photographer himself based in Rotterdam, NL and owner of Four Eyes Photography & Art

http://www.500photographers.com/

Photography copyright Jane Burton
Photography copyright Jane Burton

Sylvain Duffard May 24, 2010

Posted by bohdan.warchomij in : Documentary, French Photographer, New Media , add a comment

Tangier Photo Copyright Sylvain Duffard
Tangier Photo Copyright Sylvain Duffard

Fez Photo Copyright Sylvain Duffard

Fez Photo Copyright Sylvain Duffard

Agadir Photo Sylvain Duffard

Agadir Photo Sylvain Duffard

“It always rains the same light”, written in 1965 in Agadir and borrowed  from Moroccan author Mohamed Khair-Eddine,

has been conceived in 2008 in the context of three artists’ residences provided through the invitation of the French Institutes of Agadir, Fez and Tangier.


It is this ordinary landscape, this day-to-day life where the Moroccan cities evolve, and in counterpoint their inhabitants, which captured  Sylvain Duffard’s interest.
“Beyond the documentary dimension inherent to my photographic work, I am attached to a work where sensitivity has its place. The precise choice of light, the attentive palate of the colors and the structure of the forms that I choose to select, correspond to emotions caused by landscapes. To do so,  I proceed  in concentric circles until I reach a relative position in the landscape.

My intention is to produce non-equivocal photos, images offering multiple visual progressions.

“It always rains the same light” is thus the fruit of free (and under tension) wanderings in the urban landscape of the three Moroccan cities where I have successively lived

My Moroccan landscapes are bathed in this light which infiltrates everything and leaves little room for shade.”

Photography Hijacked April 29, 2010

Posted by bohdan.warchomij in : American Photographers, Australian photographers, Documentary, New Media , add a comment

Photography Hijacked, a documentary film by Jack Pam, is a journey through the processes, techniques and outcomes of 12 unique photographers from Australia and America. The idea that individuality of process is what underwrites and makes possible all interesting artwork is explored with each new artist in the film representing a new way of looking at the contemporary medium of photography.

The film is divided into 8 sections containing 12 photographers each photographer is given their own space and presence in the film to represent what they want to say in their own way. This unique structure employed by the filmmaker gives the power and control of the film to the individual photographers themselves. The audience is given the opportunity to step into the world of the photographer where they explain how and why they make their work. The viewer is taken on a ride from the Hollywood Hills of LA, to the Wheat belt of Western Australia to the streets and lofts of New York and into the Rebel Motorcycle Clubhouses of Australia and beyond. You are invited into these worlds with a photographer as your guide as they journey to capture their subject and explain their work.

DIRECTED BY Jack Pam

PRODUCED BY Matteo Bruno

FEATURING

Graham Miller, Dean Karr, Shen Wei, Jennifer Juniper Stratford, Sarah Small, Toni Wilkinson, Gareth Willis, Brad Rimmer, Amy Stein, Karron Bridges, Angela Boatwright, Bill Sullivan.

Jack Pam, a contributor to the forum on new media at Foto Freo 2010,  has put lots and lots and lots of work into this project and  wants as many people  as possible to view it.  Please pass on the message.

Photography Hijacked screens on ABCTV at 10:00pm (Tuesday) May 18. There is a Sunday screening  on May 23.
… and it will also be available online via Iview (ABC’s online TV channel).

www.photographyhijacked.com

Photo Jennifer Juniper Stratford
Photo Jennifer Juniper Stratford

Photo Angela Boatwright
Photo Angela Boatwright

Blind Boys April 5, 2010

Posted by bohdan.warchomij in : Blindboys, Foto Freo, India, New Media, Publishing , add a comment

Kapil Das is a photographer from Mumbai. He has a penchant for the Yashica T4, a point and shoot that is perhaps his favourite camera. He has an incredible sense of humour and a quick enquiring mind. He has been a great addition to the INCITE programme at FotoFreo where he was part of the panel of Aaron Rose (Think the film ‘Beautiful Losers’), Jack Pam, the magazine ‘eleventhirty’, with Art Gallery of WA curator Robert Cook chairing the discussion.

‘Blindboys.org is a magazine exploring Photography and Shared Territories in and from a new ever-changing Asia. In addition to being a platform for new visual perspectives from the continent, Blindboys.org also dreams of creating a community for a better synthesis of art, media, and Asian cultures leading to a holism of new Asian visual identities.

In its current form you can discover photography from Asia and various points of view: documentary, fine art, photojournalism, poetic, personal, abstract, human, and street photography. We gear ourselves to be a free platform for inclusion, collecting perspectives that otherwise would have been left under told. Taking these perspectives on to the streets to foster better dialogue and taking the photographic medium into communities to galvanize and curate a visual self expression.

Had a quick look at the photographers exhibiting their work on Blind Boys and rediscovered the work of Adrian Fisk, a British photographer who has been based in Delhi for some years and who I first met in Perpignan France. Small world. Keep an eye on this photo commune and its blog.

Kapil Das Blind Boys Photo Commune Mumbai India Photo Bohdan Warchomij
Kapil Das Blind Boys Photo Commune Mumbai India Photo Bohdan Warchomij


John Pilger January 19, 2010

Posted by bohdan.warchomij in : Australian photographers, Education, John Pilger, New Media, Photojournalism, Publishing , add a comment

THE MEDIA AND PROPAGANDA

Nigel Dolan from UWA Extension Service was instrumental in attracting John Pilger, Journalist, Author and Film-maker to a lecture at the Social Sciences Theatre University of West Australia on the 12th January 2010 to talk and answer questions on the subject of “The Media and Propaganda”. Interestingly main stream media were conspicuous by their absence. John Pilger, who was the winner of the Sydney Peace Prize in 2009 answered questions from the floor. The theatre was packed.

‘It is not enough for journalists to see themselves as mere
messengers without understanding the hidden agendas of the
message and myths that surround it’ – John Pilger. In this question
and answer session John  examined the role and power of the
media and its responsibilities in a world of seemingly endless crises,
growing instability and inequality.

John Pilger Photograph Bohdan Warchomij
John Pilger Photograph Bohdan Warchomij

John Pilger, renowned investigative journalist and documentary film-maker, is one of only two journalists to have twice won British journalism’s top award; his documentaries have won academy awards in both the UK and the US. In a New Statesman survey of the 50 heroes of our time, Pilger came fourth behind Aung San Suu Kyi and Nelson Mandela. “John Pilger,” wrote Harold Pinter, “unearths, with steely attention facts, the filthy truth. I salute him.”

Rhizome December 27, 2009

Posted by bohdan.warchomij in : Art, New Media , add a comment
Founded in 1999, the Rhizome ArtBase is an online archive of new media art containing some 2516 art works, and growing. Rhizome is dedicated to the creation, presentation, preservation, and critique of emerging artistic practices that engage technology. The ArtBase encompasses a vast range of projects by artists all over the world that employ materials such as software, code, websites, moving images, games and browsers to aesthetic and critical ends. Rhizome  welcomes  submissions to the ArtBase.
Rhizome affiliated with the New Museum in 2003, when the institutions identified a shared commitment to emerging art and ideas.

Rhizome is located within the New Museum at:

235 Bowery
New York, NY
10002

Art Vocabulary

Rhizome’s classification system consists of terms that artists assign to their work. Artists choose from Rhizome’s vocabulary of new media terms as well as adding their own terms. When new terms reach a certain level of popularity they become part of Rhizome’s vocabulary.

3D Abstract access Actions allegory Animation Anti-art Appropriation archive artificial life Artistic collaboration art world audio bio body broadcast browser CD-ROM censorship cinema Collaborative collider colonialism commercialization community Conceptual Conceptual art conference contextual corporate CuSeeMe Database death design desire DHTML digital disappearance Documentary download education email Event exhibition film Flash Formalist fund futurism game gender Generative Generative art globalization historical History homepage HTML identity immersion information map Information visualization installation interact Interactive art interface Internet Java Javascript labor language live machine marginality media activism meme memory Montage MP3 Narrative nature netart network nostalgia Off-line offline Participatory performance Perl posthuman postmodern privacy public space publish queer QuickTime radio Readymade RealPlayer resistance responsibility robot rumor security Shockwave Social classes social space software space surveillance tactical tactical media Technology technophobia Telematic television Text Third World underground utopia video Virtual Virtual reality Visual VRML War