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TIME MACHINE FINAL ISSUE May 23, 2013

Posted by bohdan.warchomij in : Time Machine , comments closed
George Voulgaropoulos

Sadly, after two years of publishing some of the best photography around the globe, the ditors of TIME MACHINE have made the tough decision to take a break for a while. FLUX is the very apt theme that they will finish on.
 
In this issue, Timemachine founder and editor Lee Grant says a fond farewell. The editor presents the work of photographers George Voulgaropoulos and Tamara Voninski recording their own personal journeys while Tom Williams, Jagath Deeherasekara and duo Alan Hill and Kelly-Hussey-Smith enter worlds away from the familiar, into communities in transition or in stasis. The editors are also proud to showcase the work of Tamas Deszo and Cristina De Middel whose images explore the conundrum of connection in seemingly disordered environments. Daniel Farnum‘s work, on the other hand, reveals a more introspective reflection of the shift from childhood to adulthood.

One of Australia’s finest storytellers William Yang is interviewed about his life and career; exploring his sexuality, the gay scene in Sydney and his Chinese heritage. And for our final sponsored feature with Fujifilm Australia, photojournalist, Jack Picone tests Fuji’s new X100S camera, in Burma.
The editors wish to thank all the photographers, poets and writers that have submitted  work to this magazine.
Please stay in touch via Facebook and Twitter, for there may well be a future iteration of Timemachine Magazine in some shape or form.

www.timemachinemag.com

Warrior Dash Perth Photos Bohdan Warchomij May 19, 2013

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There is a sudden proliferation of events like Warrior Dash and Tough Mudder on a world circuit that has hit a nerve with all kinds of people. The thousands  of participants in Northam (about 80 KM from Perth in West Australia) treated it as a performance, a collaboration, and a test of their endurance and abilities. There was a communal element to efforts by the waves of warriors taking part in the Warrior Dash. Firstly they came with their friends, they formed teams and on finishing celebrated individual phyrric victories. A little like  a school cross country run there was something tribal about the Vikings and villagers who ran the intimidating obstacles of the Dash. But it was incredibly good natured and a million miles from the collective stress of the city. In that these young people have a message and an agenda.

 

Ballarat International Photo Biennale and ‘One for the Books’ May 17, 2013

Posted by bohdan.warchomij in : Ballarat International Photo Biennale , comments closed

ONE FOR THE BOOKS

A PRIZE FOR SELF PUBLISHED PHOTOGRAPHY BOOKS

sponsored by Blurb

The Ballarat International Foto Biennale with major sponsor Blurb, present ‘One for the Books’ an exciting new prize celebrating the book as an innovative and contemporary format for presenting photography in a creative and narrative form.This prize is specifically for self published, print on demand books. Books previously published by a traditional publishing house are not eligible for entry

WHO CAN ENTER

The 2013 ‘One for the Books’ Prize will accept submissions for two categories; Professional and Amateur.  Winners will be announced at on Monday 19th August 2013 at the Post Office Gallery, Ballarat. Entrants must be Australian residents

HOW MUCH TO ENTER

Entry is $10 per book. [discount for BIFB members] Limit of 3 books per entrant

WHAT TO ENTER

A PDF File of your complete book.  To be considered for the final your file must be in a format that can be produced by Blurb, as they will print the shortlisted books from which the winners will be selected. To see detailed entry specifications click here.

WHERE TO SEND  PDF and PAY ENTRY FEE

Upload your file and make your entry payment by clicking the enter button at the bottom of this page. You can only enter and pay online

CLOSING DATE FOR ENTRIES

Monday July 1st,  11.00pm EST

THE JUDGING PROCESS

The initial  judging panel will view all books online only, and select ten books from the Amateur Category and ten books from the Professional Category. These twenty books will be printed by Blurb and will be on display at the Post Office Gallery, Ballarat for the duration of the Ballarat International Foto Biennale from Saturday August 17th to Sunday September 15th 2013. The final judging panel will select the two winners from the display. The finalist exhibition will continue with two shows, one in Melbourne at Eleven40 Gallery, Malvern, and one in Sydney in the 12 months following the close of BIFB’13

Head On Sydney May 17, 2013

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This is the week to be in Sydney.

Benjamin Lowy, Shahidul Alam and Moshe Rosenzveig join 702 ABC Sydney Evenings presenter Dominic Knight on the Conversation Couch for a guided discussion on photojournalism and social media.

Photo © Benjamin LowyPhoto © Benjamin LowyBenjamin Lowy is an award winning photographer based in New York City. Lowy has been an outspoken advocate for, and a leading practitioner in, phone photography in professional photojournalism. An iPhone image from his coverage of Hurricane Sandy was recently selected as a cover of Time magazine.

In this presentation Benjamin will explore his use of smartphones in photojournalism and participants will gain insights into this award winning photographer’s technique and fascinating biography.

He will later be joined for a panel discussion by fellow World Press Photo award-winner writer, curator and activist, Shahidul Alam and Head On Photo Festival Director Moshe Rosenzveig. Alam has long-used social media platforms to give a voice to underprivileged and largely voiceless groups. Both are in town with exhibitions and talks as part of Head On Photo Festival 2013.

702 ABC Sydney proud supporters and Media Partners of the Head On Photo Festival, 17 May – 23 June.

Black Swan Prize for Portraiture and for Heritage (Portrait of a City) May 15, 2013

Posted by bohdan.warchomij in : Black Swan Prize for Portraiture , comments closed

 

The Black Swan Prize for Portraiture is open for entries.

Despite most of the winning images being artworks

there is room for photography

to be used in the competition.

Ironically the image from the competition is a

painting of well known Perth photographer

Richard Woldondorp.

The Lester Group first prize is $45000

People’s Choice is $7500

The Black Swan Prize for Heritage

Heritage Perth Prize is $20000

People’s Choice is $2000

Visit the website to enter your art work on line

www.blackswanprize.com.au

Important Dates

Entries Close: Friday 12 July 2013 (view the website for Entry Forms and Terms and Conditions)

Finalist’s Announced: 1 August 2013

Exhibition: September 2013

Neither: Photographs exploring the women of Kaliningrad by Kate Nolan May 14, 2013

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Press Release – Kate Nolan Neither Photobook presales:

Neither (2009-2012): Photographs exploring the lives of the women of Kaliningrad.

The photobook by Kate Nolan, designed in collaboration with the award-winning Dutch designer

SYB, is available now for pre-sale.

Kate Nolan’s Neither is the culmination of a four-year

exploration into the hearts of young women in Kaliningrad,

the isolated Russian enclave once known as Königsberg.

Part of the first post-Soviet generation of Kaliningrad, these

women look to define their identity within this small ‘island’

of Russia within Europe.

Wedged between Poland, Lithuania and the Baltic Sea,

Kaliningrad’s history has been fraught with great

transformations. Once a major city of Prussia, the Red

Army invaded in 1944 and the German and Lithuanian

populations fled or were killed. Those who live here tell

how Stalin proclaimed to the rural and the poor of Russia,

“Come to Königsberg – choose your home and build your city.”

During the cold war, the region was closed to foreigners,

and though it re-opened after the collapse of the Soviet

Union in 1991, Kaliningrad was severed from Russia by the

newly-independent Baltic states. Now, one must cross over

800km through Lithuania and Belarus to get to ‘Big Russia.’

It is this geographic isolation of being neither a part of

Europe nor physically connected to motherland that gives

Kaliningrad its uniqueness.

Granted only a one-month tourist visa at a time, Kate Nolan began visiting Kaliningrad in 2009 to explore and try to

understand this isolated and uncertain place. She stayed with local women, drinking tea and listening to their hopes

and expectations, tales of the past and stories of lost love and found love.

Kate explains: “The women I have been living and sharing with have generously opened up their homes and their

minds to allow me to better understand this link between place, identity and history.”

“With this project, I am seeking to give a voice to the amazing women who I spent so much time with, who brought

me into their homes, and told me of their dreams and fears.”

The self-published photobook is the final stage of this project, as Kate believes that the book form allows a greater

opportunity than the gallery space to provide the women with that voice. Working with the internationally renowned

Dutch designer Sybren Kupier, SYB, Kate has developed a book concept that interweaves the words of these women

with her arresting and powerful images.

The book opens with an in-bound booklet of eyewitness accounts from the Oral History Archive of Kant University,

Kaliningrad, of women’s experiences of first arriving in Kaliningrad in 1945 from ‘Big Russia’. Kate’s photographs of

the region and the women who now live there are then intertwined with handwritten excerpts from the personal

account of a woman’s life in contemporary Kaliningrad, printed on tabs between the images. The book closes with

another in-bound booklet of diary entries of the women depicted in the photographs. Juxtaposing these texts – both

historical and contemporary – with Kate Nolan’s images, the book seeks not to answer any questions, but rather to

give a voice to the experiences of the women of Kaliningrad.

The book is available for pre-order until May 18

http://www.indiegogo.com/projects/neither-photobook

Contact: katenolan@gmail.com

+353 87 7833337

Kate Nolan is an Irish photographer based in Dublin, Ireland. She graduated with a BA (Hons) in Documentary

Photography from the University of Wales, Newport, 2010. Kate combines her art practice with commissions,

workshops and is the director of Slideluck Potshow Dublin. Her long-term project Neither was recently shortlisted for

the Alliance Francaise Photography Prize and has been exhibited in London, Cardiff, Dublin, Minneapolis and

Kaliningrad, Russia. This work has been reviewed in several international magazines and a selection was chosen to

be included in the book ‘Context and Narrative in Photography’ by Maria Short. www.katenolan.co.uk

Sybren Kupier, SYB, has been working as a graphic designer in the Netherlands since his graduation from The Royal

Academy of the Arts, Den Haag in 2007. He has had clients such as Bertien van Manen, Vivianne Sassen, Valerio

Spada, Rob Hornstra and Carolyn Drake. His many awards include Selection of Best Designed Books, Amsterdam; 6

times, Honorable Mention Schönste Bücher Aller Welt (Most Beautiful Books); 3 times, and selected for Best

photobook of 2012 by Remi Coignet and Sören Schuhmacher. www.sybontwerp.nl

CLIP AWARDS Winners Announced at PCP May 12, 2013

Posted by bohdan.warchomij in : CLIP AWARD, PCP, Perth Centre for Photography , comments closed

Winner Apache Clip Award Sonya Payes

Arno Blax aka Kevin Ballentine Judges

Commendation

Joshua Rampling Student Awar

Judges comments

Sonia Payes’ winning photograph, Ice Scape Series #13, intrigued the judges

with its clouded, indefinite landscape, with mist floating over a body of water.

What seem to be three dimensional boxes float in the air, seeming to project

from and recede into the image.

This spatial play, between the surface depicted and the apparent depth

of the photograph, makes explicit the process of looking and interpreting.

The viewer moves from the scene shown to the actual photograph as

an object displayed on a wall.

The work borrows from surrealist strategies and reminded the

judges of the paintings or René Magritte, the great 20th century

Belgian artist. He likewise played with reality and illusion, disrupting

 

the familiar and creating compelling dreamscapes.Payes’ photograph

appears at once to be of a real place and time, and to be a landscape

of the mind.

The judges’ commendation winner, Arno Blax’s Untitled 

two part photograph, or diptych, also leads one to look very closely

and to compare the two images. Both are simple, stark and show scenes

in the desert outside Kalgoorlie, with scrub and rock receding to a horizon

and a bleached blue sky. The only real difference between them is the

forlorn surveyor’s peg which can just be seen in one, but not the other.

It sets up a dialogue between nature—the wide expanse of the desert—

and human presence—the marker peg signposting our exploration and

ownership of even this remote and inhospitable place.

Joshua Rampling’s Untitled, which won the student prize, is of a

dilapidated group of stuffed birds displayed against a painted

backdrop in a museum. This painting, or diorama, supposedly

represents their natural environment yet is eerily contrived and

awkward—just like the bedraggled birds themselves. For the judges,

Rampling’s image pointed to the distance and sometimes discordance

between how we represent the world—as seen in the museum’s diorama

—and the actual, natural world of which this is a mere shadow. 

All three winners connect the natural world and human made
visions of it in rich and compelling ways.

John Barrett-Lennard
(CLIP AWARD judge, on behalf of all CLIP judges)

 

Exhibition continues

9 May – 9 June 2012

 

The End for the V May 9, 2013

Posted by bohdan.warchomij in : Hasselblad, Olivier Laurent British Journal of Photography , comments closed

“Hasselblad is to cease production of its 503CW model – the last V System camera in the company’s portfolio,” reads a press release issued today. “The decision, which comes into immediate effect, brings to an end over half a century of evolution of the company’s original camera line.”

It is a sad announcement but it is not the demise of the V System. Enthusiasts are keeping the camera operational as they are with the many other fabulous models in the V System. Battery issues have not killed of the Hasselblad ELM for instance, just got the innovators amongst us finding solutions.

According to Hasselblad’s chairman and CEO, Dr Larry Hansen, the discontinuation comes as demand for the 503CW has declined over the past five years. “Everything has its place in time,” he says in a statement. “The veteran 503CW, combined with an extensive V System range of interchangeable lenses and accessories, was for 17 years the camera of choice for discerning professionals and aspirational amateur photographers. But there has been a substantial decline in demand for this camera over the past five years or so and the time has come for us to reluctantly consign the V System to history.”

Hasselblad will now be pushing its customers to switch to the H digital system of medium format cameras, as well as new products designed for “advanced enthusiasts”, such as the Lunar camera, which was unveiled at Photokina 2012

Oggle May 9, 2013

Posted by bohdan.warchomij in : Olivier Laurent British Journal of Photography , comments closed

Hipstamatic is going after Instagram and EyeEm with the launch of Oggl, a new application for the iPhone that will link “likeminded creatives from around the world” writes British Journal of Photography’s Olivier Laurent.

Oggl is said to offer a brand new way to experience Hipstamatic’s filters, “and for the first time ever, directly connects the Hipstamatic community and like-minded creatives from around the world,” says the San Francisco-based start-up in a statement released last night.

“From the editorial spreads of Harper’s Bazaar to the cover of Time magazine to the pages of pages of The New York Times, Hipstamatic photographers have had their work showcased on a global stage, and are ushering in a new era in photography,” comments Lucas Buick, Hipstamatic’s CEO and co-founder. “It’s time we created a place designed just for them to connect, to be inspired, to create and to continue to define what it means to be a photographer for this generation.”

Oggl will first be available to iPhone users, who will have to subscribe for $0.99 a month or $9.99 a year. The app will allow photographers to capture scenes using Hipstamatic’s filters or apply them after the images have been taken – similarly to what Instagram and EyeEm currently offer. With the subscription, users will gain access to Hipstamatic’s entire catalogue of virtual lenses and films, with new ones added each month.

Oggl will also let users curate “a personal story” and browse different Curated Editorial Feeds as part of its goal to create a community of “like-minded” photographers.

Oggl is currently only available by invitation. For more details, visit the Oggl website.

Manthe Welcome from Miriwoong and Gija people at Argyle Underground Mine Photos Bohdan Warchomij May 2, 2013

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The Miriwoong and Gija people at Rio Tinto’s Argyle Underground Mine Opening welcome guests and media with a traditional Manthe ceremony. The traditional ritual welcomes people to the country of the indigenous tribal owners of the land of the Argyle.  It is a weekly ritual for the locals as new workers come on board the mine whose life has been extended until 2020 by shifting from open cut to underground operations. These photos were taken for the Australian Financial Review which used a photo of a rare pink diamond held by executive Alan Davies to illustrate the story. It is an opportunity for me to show the cultural success of the operation which employs some 25% indigenous people in its workforce.